The Birth Of Muhammad And Islam Essay - 1409 Words

Julianna Tafuri HIST 181-01 M+TH 2-3:15 Sean Walsh 3 November 2016 The Birth of Muhammad and Islam The Islamic religion is not only a religion, but a complex lifestyle full of dynamic truth which has a past that spans over fourteen centuries. It’s history encompasses the ancient spirits of people from North Africa as far as Malaysia. Islam is also one of the youngest major religions as the â€Å"Qur’an â€Å"came down† to Muhammad six centuries after Jesus, so that a large portion of the developed world which it soon overran had been evangelized for centuries† (Burrell 1). Although Islam was budding, it has grown into one of the world’s largest religions having a following of over one billion. Islam is known to be the fastest growing faith worldwide, and in recent years has made striking advances in North America (3). â€Å"The rapid expansion of the community of Believers after Muhammad’s death has its roots in the events of the last years of his life† ( Donner 92). Islam can be abridged into three timeframes that are as follows; T he Time of Ingratitude, Muhammad s life and story, and the organizations and laws that were created after the demise of the prophet. The holiest declaration or â€Å"Shahada† in Islam is â€Å"There is no god but Allah and Muhammad is his messenger† (Fieser 373). Islam found its origins in Arabia and it takes after every one of the standards given by God which were translated through Muhammad. Muslims on the other hand, are the individuals who hone this religion asShow MoreRelatedThe Prophet Muhammad, By Michele Thorpe1609 Words   |  7 Pages The Prophet Muhammad By: Michele Thorpe History 104 Professor Odamtten November 17, 2014 The prophet Muhammad was born in the year 570, in the town of Mecca, in Western Arabia. Officially named AbÃ… « al-QÄ sim Muá ¸ ¥ammad ibn Ê ¿Abd AllÄ h ibn Ê ¿Abd al-Muá ¹ ­Ã¡ ¹ ­alib ibn HÄ shim, the prophet once urged his followers to â€Å"say what is true, even though it may be bitter and displeasing to others.† It is with this notion that Muhammad lived his life doing what he believed to be right, and preaching whatRead MoreA Study Of Islamic History997 Words   |  4 Pagesunderstand islamic history, one must examine the life of the individual who gave birth to such a phenomenon. Ibn Ishaq’s’ The life of Muhammad’ (1955), Syed Ameer Ali’s ‘The Spirit of Islam: A history of the Evolution and Ideals of Islam, with a Life of the Prophet’ (1923) and Ali Dashti’s ‘Twenty-three Years: A study of the Prophetic Career of Mohammad’ (1985), claim that Islam did not begin prior to Muhammad’s birth. The focus of that time period was centred on the idea of conquest which was nationalisticallyRead MoreManners of Welcoming a New Born Baby in Islam877 Words   |  4 PagesMANNERS OF WELCOMING NEW-BORN CHILD IN ISLAM Islam presents for mankind a complete and comprehensive system of life from the cradle to grave through manners. Manners in Islam are based on the guidance provided by Allah Himself and through the prophet Muhammad (pbuh). It covers even the slightest acts, such as entering or exiting a washroom. These are applicable for the whole society especially the elderly, the young, men and women. As manners in Islam present from the cradle, so there are mannersRead MoreIslam In the year 570, Muhammad was born into a family belonging to a clan of Quarish that900 Words   |  4 PagesIslam In the year 570, Muhammad was born into a family belonging to a clan of Quarish that controlled the Ka’ba in Mecca. Muhammad became an orphan at the young age of six. His father, Abd al-Muttalib, died before his birth and his mother passed away when he was just six years old. Following his mother’s passing, Muhammad was sent to live under the care of his grandfather, the head of the Hashim clan. Shortly after his grandfather passed away and he was sent to live in the care of his uncle, AbuRead MoreHistory Of Islam : The Second Largest And Fastest Growing Religion Essay1400 Words   |  6 PagesHistory of Islam: Islam is the second largest and fastest-growing religion worldwide despite being the youngest of the major religions across the globe with 1.2 billion followers. The word Islam in the modern world does not only refer to countries from North Africa to Southeast Asia but also incorporates Muslim minority communities throughout the world. Currently, Islam is either the second or third largest religion in Americas and Europe since these regions have experienced the political, demographicRead MoreThe Religious Law Of Judaism1492 Words   |  6 Pageswho are a part of the religion Islam are called Muslims. Islam has 1.3 billion followers. This makes the 2nd largest rank in size. You can find Islam in the Middle East, and in South East Asia. The Muslims sacred text is the Qur’an (Koran). They have other texts they look at. They are called the Hadith. Islam’s religious law is the law called Sharia Law. Their house of worship is the Mosque and they worship on Fridays. They h ave an integrated church and state. Islam was founded in Sudia Arabia aroundRead MoreThe Nation Of Islam By Ula Taylor1163 Words   |  5 PagesNation Of Islam was organized in on July 4th 1930s by Master W. Fard Muhammad in Detroit, Michigan. â€Å"The Official Name of the Nation of Islam is: The Muhammad Mosque and/or The LostFound Members of the Nation of Islam in the West†. The middle-eastern descent founder and self-proclaimed prophet known by his followers as a divine black messiah. Master W. Fard Muhammad appointed Elijah Muhammad to a minister his last messenger. Nation Of Islam will be boxed as an unorthodox version of Islam. FreedomRead MoreJudaism, Christianity, And Islam992 Words   |  4 PagesJudaism, Christianity and Islam are three of the most recognized monotheistic religions worldwide. These religions are often referred to as the Abrahamic religions because of their history to the founding father, Abraham. Judaism, Christianity and Islam are closely rela ted with varying differences. Christianity was born from within the Jewish tradition, and Islam developed from both Christianity and Judaism. We take a look at some of the major similarities and major differences of these widely practicedRead MoreThe Valley came Alive: Life of the Last Messenger by Ibn Katheer845 Words   |  4 Pagesand ‘Ustazah’ never stop teaching me about Prophet Muhammad. This book inspired me a lot about exactly the life of Prophet Muhammad, he details out all the information, the solid facts that cannot be denied. The first chapter of this story definitely talk about the biography of Prophet Muhammad. Every ending has the beginning, isn’t it? So does the story begin with great questions about whom? Why? and how? keeps playing in my mind. Prophet Muhammad was born on a Monday, according to the narration ofRead MoreA Brief History of Islam Essay545 Words   |  3 Pagesreligions that through history have globally expanded throughout the wo rld. One of those western religions is Islam. Islam was first introduced and developed on the Arabian Peninsula. Islam, like Judaism and Christianity, is a monotheistic religion. Islam means submission to one god. The followers of Islam are known as Muslims. One primary leader of Islam is a man named Muhammad. When an economy began to develop in the Arabian Peninsula and the city of Mecca played a major role in the

Qué pasa al quedarse en EE.UU. más tiempo que permitido

Los turistas extranjeros pueden visitar Estados Unidos con una visa en và ¡lida, o incluso, sin visado si pertenecen a un grupo selecto de paà ­ses que pertenecen al Programa de Exencià ³n de Visados, pero deben salir del paà ­s antes de que expire el tiempo autorizado para permanecer en el mismo. Los tiempos que se puede quedar un turista depende del tipo de documento que se utilice para ingresar y, si se ingresa con visa, incluso de las condiciones de su titular. En el documento que se conoce como I-94 registro de entrada y salida, puede verificarse exactamente por cuà ¡nto tiempo se està ¡ autorizado a permanecer en EE.UU. Ahora es un documento digital que puede consultarse en internet en la pà ¡gina oficial de la CBP. Si se ingresà ³ sin visa, el tiempo mà ¡ximo de permanencia es de 90 dà ­as. Con independencia de si se ingresà ³ a EE.UU. con visa de turista o sin ella por ser de un paà ­s del Programa de Exencià ³n de visados, todos sufren las mismas consecuencias si se permanecen en el paà ­s mà ¡s allà ¡ del tiempo autorizado. En este artà ­culo se explican cuà ¡les son esas consecuencias y por quà © se debe evitar intentar hacer trampa con el tiempo de permanencia. Consecuencias de quedarse en EE.UU. mà ¡s tiempo del permitido Desde el punto de vista migratorio los turistas que exceden el nà ºmero de dà ­as de estancia permitida se convierten en indocumentados. A partir de ahà ­ si entran en contacto con una autoridad migratoria pueden ser expulsados inmediatamente o deportados, dependiendo del caso de cada uno. Aunque existen posibilidades de legalizarse (regularizar la situacià ³n), en realidad tampoco hay tantas y los requisitos son estrictos. Por esta razà ³n, lo mejor siempre es salir del paà ­s dentro de plazo o pedir con tiempo una extensià ³n o un cambio de visa. En este punto destacar que los turistas que entraron sin visado no pueden hacer ni una cosa ni otra, para ellos sà ³lo cabe la opcià ³n de salir de Estados Unidos. Ademà ¡s, deben hacerlo dentro de los 90 dà ­as siguientes al dà ­a de ingreso. Por ello, antes de decidir quedar en Estados Unidos en situacià ³n de indocumentado, consultar con un abogado de inmigracià ³n y entender muy bien todos los problemas que pueden surgir.   En casos muy excepcionales, en los que se permanece en Estados Unidos mà ¡s tiempo que el autorizado en la visa es posible  solicitar y obtener una restauracià ³n de estatus. Esto es lo que se conoce como Nunc Pro Tunc para casos en los que no se solicità ³ a tiempo la extensià ³n o un cambio de visa. Otra consecuencia de quedarse mà ¡s tiempo del permitido es que la visa de turista se cancela. Tener en consideracià ³n que el titular no es notificado de este hecho. Se entera cuando intenta ingresar a EEUU en el siguiente viaje y no se le permite. En el caso de haber ingresado a EE.UU. sin visa, se pierde ese derecho. A partir de ese momento es necesario pedir al consulado una visa de turista si se quiere regresar a Estados Unidos y la aprobacià ³n de la misma no està ¡ asegurada. Ademà ¡s, tanto si se entrà ³ con visa o sin ella, haber estado ilegalmente es causa de inadmisibilidad y si se ha estado mà ¡s de 180 dà ­as ilegalmente en el paà ­s y despuà ©s se sale de Estados Unidos, aplica el castigo de los tres y de los diez aà ±os, con algunas pocas excepciones. Es cierto que para solicitar una visa no inmigrante, como es la de turista, estudiante, intercambio, inversià ³n, etc., es posible solicitar un perdà ³n por la penalidad de los 3 o de los 10 aà ±os, pero no se aprueba frecuentemente. E incluso en los casos en los que ya ha transcurrido el tiempo del castigo puede resultar difà ­cil que el oficial consular apruebe una nueva visa puesto que se plantà ³ ya la duda sobre las intenciones del solicitante.   Eso no quiere decir que resulte imposible obtenerla. Pero sà ­ que se va a mirar con gran detenimiento la aplicacià ³n. Error grave a evitar El sistema informà ¡tico de las aduanas de EEUU es, en estos momentos, muy completo. No es como antes. Todas las personas que dan por perdido el pasaporte, piden a sus embajadas unos salvoconductos y una vez que està ¡n de regreso en sus paà ­ses solicitan un pasaporte nuevo y la visa americana està ¡n cometiendo un error.   Eso podà ­a pasar en algunos casos hace aà ±os. Ahora ya no. Queda registrado que no se salià ³ a tiempo. Es este punto es de interà ©s conocer  quà © informacià ³n tienen en el control migratorio de la aduana americana. Los oficiales de migracià ³n, control de paso migratorio y de los consulados de Estados Unidos no tiene que probar nada. Es la persona interesada la que tiene que demostrar, en caso de duda, que efectivamente se salià ³ a tiempo. Al oficial consular o al inspector de aduanas les basta con tener la sospecha para negar la visa o la entrada. Puntos clave a tener en cuenta Quedarse mà ¡s tiempo del permitido conlleva convertirse en indocumentadoLa visa se cancela o se pierde el derecho a viajar sin visa como turistaPuede aplicar el castigo de los 3 y de los 10 aà ±os. Este artà ­culo tienen una finalidad meramente informativa.

Summary Modigliani Miller Free Essays

L1 – Modigliani Miller (1958) ‘The Cost of Capital, Corporation Finance and the Theory of Investment’ This article mainly discusses the cost of capital, the required return necessary to make a capital budgeting project worthwhile. Cost of capital includes the cost of debt and the cost of equity. Theorist conclude that the cost of capital to the owners of a firm is simply the rate of interest on bonds. We will write a custom essay sample on Summary Modigliani Miller or any similar topic only for you Order Now In a world without uncertainty the rational approach would be (1) to maximize profits and (2) to maximize market value. When uncertainty arises, these statements vanish and change into a utility maximization. The goal is to get more insight in the effect of financial structure on market valuations. I. Valuation of Securities, Leverage and the Cost of Capital A. The Capitalization Rate for Uncertain Streams In the paper, MM (1958) assume that firms can be divided into equivalent return classes such that the return on the shares issued by any firm in any given class is proportional to the return on shares issued by any other firm in the same class. This implies that various shares within the same class can differ at most by a scale factor. The significance of this assumption is that it permits us to clarify firms into groups where shares of different firms are homogeneous (perfect substitutes of each other). This again means that in equilibrium in a perfect capital market the price per dollars worth of expected return must be the same for all shares of any given class. This will result in the following formula’s: = pj = the price xj = expected return per share of the firm in class k k= expected rate of return of any share in class k 1/pk = the price which an investor has to pay for a dollars worth of expected return in the class k B. Debt Financing and its Effects on Security Prices In this case, shares will be subject to different degrees of financial risk or leverage and hence will no longer be perfect substitutes for each other. Companies will have different proportions of debt in their capital structure and gives a d ifferent probability distribution of returns. To exhibit the mechanism determining the relative price of shares under these conditions two assumption are made 1)all bonds yield a constant income per unit of time 2)bonds, like stocks, are trade in perfect market (perfect substitutes) Proposition 1 ‘The value of an unlevered firm is the same as the value of a levered firm’ V = value of the firm S = market value of common stock D = market value of the debts X = expected return on the assets owned by the company (cost of capital) The market value of any firm is independent of its capital structure and is given by capitalizing its expected return at the rate pk appropriate to its class. This shows that the average cost of capital to any firm is completely independent of its capital structure and is equal to the capitalisation rate of a pure equity stream of its class. Capitalization rate (or â€Å"cap rate†) is a measure of the ratio between the net operating income produced by an asset (usually real estate) and its capital cost (the original price paid to buy the asset) or alternatively its current market value. The pure equity stream is showed in the next example: If proposition 1 did not hold, an investor could buy and sell stocks and bonds in such a way as to exchange one income stream for another stream, but selling at a lower price. It would be corrected through arbitrage. Return on a levered portfolio can be written as: Y2 = return from this (levered) portfolio ? = fraction of the income available for the stockholders of the company/fraction total shares outstanding X = expected return rD2 = interest charge Return on a unlevered portfolio looks like this: 1 = fraction/amount invested in stocks S1 = total stocks outstanding To see why this should be true, suppose an investor is considering buying one of the two firms U or L. Instead of purchasing the shares of the levered firm L, he could purchase the shares of firm U and borrow the same amount of money D that firm L does. The eventual returns to either of these investments would be the same. Therefore, the price of L must be the same a s the price of U minus the money borrowed D, which is the value of L’s debt. Proposition 2 re = ro + (ro – rd) x D/E = required rate of return on equity (cost of equity) pk = cost of capital for an all equity firm r = required rate of return on borrowings (i. e. , cost of debt or interest rate) D/S = debt to equity ratio That is, the expected yield of a share of stock is equal to the appropriate capitalization rate pk for a pure equity stream in the class, plus a premium related to financial risk equal to the debt-to-equity ratio time the spread between pk and r. C. Some Qualifications and Extensions of the Basic Propositions Effects of Present Method of Taxing Corporations Proposition 1 becomes (with taxes): ? = average rate of corporate income tax ? = expected net income accruing to the common stock holder Proposition 2 becomes (with taxes): pk can no longer be indentified with the average cost of capital when taxes come into play. Yet, to simplify things the writers will still do this. Effects of a Plurality of Bonds and Interest Rates Economic theory and market experience both suggest that the yields demanded by lenders tend to increase with the debt-equity ratio of the borrowing firm (or individual). The increased cost of borrowed funds as leverage increases will tend to be offset by a corresponding reduction in the yield of common stock. Proposition 1 remains unaffected as long as the yield curve is the same for all borrowers. However, the relation between common stock yields and leverage will no longer be the strictly linear one given by the original Proposition 2. If r increases with leverage, the yield i will still tend to rise as D/S increases, but at a decreasing rather than a constant rate. Yield curve: D. The Relation of Propositions 1 en 2 to Current Doctrines. Proposition 1 asserts that the average cost of capital is a constant for all firms j in class k, independently of their financial structure. II. Implications of the Analysis for the Theory of Investments A. Capital Structure and Investment Policy Proposition 3 (Proposition 4 in lecture slides): A firm will exploit investment opportunities if and only if the rate of return on the investment p* is as large as or larger than pk . This will be completely unaffected by the type of security used to finance the investment (bonds or stocks). So the main conclusion is that companies should invest when . Capital structure is a matter of indifference and the problem of the optimal capital structure is no problem at all. B. Proposition 3 and Financial Planning by Firms Misinterpretation of the scope of Proposition 3 can be avoided by remembering that this Proposition 3 tells us only that the type of instrument used to finance an investment is irrelevant to the question of whether or not the investment is worth while. This does not mean that the owners (or managers) have no grounds whatever for preferring one financing plan to another; or that there are no other policy or technical issues in finance at that level. C. The Effect of the Corporate Income Tax on Investment Decisions The cost of capital now depends on the debt ratio, decreasing , as D/V rises, at the constant rate of . Thus with a corporate income tax under which interest is a deductible expense, gains can accrue to stockholders from having debt in the capital structure, even when capital markets are perfect. L1 – Fama French (1998) ‘Taxes, Financin How to cite Summary Modigliani Miller, Essay examples

Museum of Fine Arts Essay Example For Students

Museum of Fine Arts Essay I observed many interesting works of art representing various time periods. Of all the paintings that I saw last week, two landscaped pieces seemed to stick out in my mind; Andre Drains The Turning Road and Thomas Hart Bonbons Haystack. Though these two art works are similar in subject matter, they clearly reflect the different styles and time periods of their artists; the abstract Derail being a Fauvist and the more realistic painter Benton representing the American Scene Tyler as a Regionalism. Andre Derail became an accomplice to the well known Henry Matisse who founded the expression of Fauvism in 1905. Fauve, meaning wild beasts in French, was a movement driven by a desire to develop an art that had the directness of Impressionism but also had the intense color juxtapositions and their emotional capabilities (964). The Fauves expressively used vivid colors as the conveyer of meaning (MM to produce bold and intense images which in turn, awakens the emotions tooth viewer. And Derail, being a Fauvist, used color to its fullest potential. to elicit emotional responses from the viewer (966) not only in The Turning Road but also in his work The Dance, which perfectly supports the audacious style of Drains Fauvism. Although this movement did not last very long, the paintings created in this period are vivid and memorable. When the 193(Yes emerged, the Great Depression took its toll on artwork, In this period, artists from the Midwest called Regionalisms turned their attention to rural life as Americas cultural backbone (1025). Among these artists was Thomas Hart Benton, who became the leading exponent of American Regionalism and used his paintings to convey scenes about the hardworking rural poor of the Midwest throughout the depression. His realistic scenes of country life stern particularly from the rural historical and social past Of Missouri (CM). Not only are his themes of rural poor American seen in the Haystack, they can also be seen in Other works Of his such as in his rendition Of the nude goddess Persephone, which also references the rural farmer and his work, and perhaps his hardships, within the seasons (CM). Since the LIST government created the Federal Arts Project, many artists such as Benton, had a chance to evolve their work into what would come to be known as the American Scene era, Coming from very different time periods, Andre Derail and Thomas Hart Benton both incorporate their genres style into their own expressive art. Both of these men were influential leaders of their periods and painted images in a similar way, even if their art does represent different time periods. Drains painting of The Turning Road and Bonbons painting Of the Haystack depict similar subject matter. The images in the two paintings that are similar are the curving road, the trees, the workers and also the horse which is seen in both mages. Both The Turning Road and the Haystack show an outdoor scene from the daytime with workers going about their busy everyday lives. These two paintings display a theme of man working in harmony with nature, which was stated in the Haystacks information card but can clearly be associated with The Turning Road as well. According to the museum information card on Drains piece, choreographed forms villagers 311 Sway to an integrated rhythm, giving this painting movement. This can also be seen in Bonbons piece since the museum information card on Haystack States that this image s depicted through rhythmic swirls of paint and lyrical movement. Drains piece also portrays a more rural scene and is far from the urban bustle Of Loons waterways (CT as seen in Bonbons work which shows the laborious rural poor of the depression era. .u3cdfef1a31b3b5c0859955aff6db5956 , .u3cdfef1a31b3b5c0859955aff6db5956 .postImageUrl , .u3cdfef1a31b3b5c0859955aff6db5956 .centered-text-area { min-height: 80px; position: relative; } .u3cdfef1a31b3b5c0859955aff6db5956 , .u3cdfef1a31b3b5c0859955aff6db5956:hover , .u3cdfef1a31b3b5c0859955aff6db5956:visited , .u3cdfef1a31b3b5c0859955aff6db5956:active { border:0!important; } .u3cdfef1a31b3b5c0859955aff6db5956 .clearfix:after { content: ""; display: table; clear: both; } .u3cdfef1a31b3b5c0859955aff6db5956 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u3cdfef1a31b3b5c0859955aff6db5956:active , .u3cdfef1a31b3b5c0859955aff6db5956:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u3cdfef1a31b3b5c0859955aff6db5956 .centered-text-area { width: 100%; position: relative ; } .u3cdfef1a31b3b5c0859955aff6db5956 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u3cdfef1a31b3b5c0859955aff6db5956 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u3cdfef1a31b3b5c0859955aff6db5956 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u3cdfef1a31b3b5c0859955aff6db5956:hover .ctaButton { background-color: #34495E!important; } .u3cdfef1a31b3b5c0859955aff6db5956 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u3cdfef1a31b3b5c0859955aff6db5956 .u3cdfef1a31b3b5c0859955aff6db5956-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u3cdfef1a31b3b5c0859955aff6db5956:after { content: ""; display: block; clear: both; } READ: Female Characters In Candide EssayBoth of these painting exude cool and warm colors since the blues and greens can be seen, as well as the reds and yellows in both images. Vertical poles in the Haystack seem to separate the painting which can also be seen in The Turning Road, which uses the trees as the vertical separation of the painting. In both paintings, the artists do not show where the curving road leads to, which allows your mind to wonder where you would end up it you walked along the paths, my guess is that the winding roads lead to the city and an urban lifestyle, The technique of shadowing can be seen in both of these paintings. The shadowing can be clearly seen in the realistic scene of the Haystack, and even though the painting of The Turning Road is not very realistic since it uses complementary colors for its shadowing technique, there is still a hint of realism portrayed in the image since the shadows are present. Even though these paintings come from different time periods and were created by tuft very different artists, Derail and Benton, they still share some resemblance and connection. Despite the fact that these two paintings share analogous attributes, they also differ in many ways. According to the museum information card on Drains piece, the work is expressive Of the artists feelings rather than Of the descriptive landscape, which is consistent with the style of Fauvism. However Bonbons piece does not really reflect his emotions or feelings, rather it seems more optically realistic to therefore accurately portray the scene of the poor rural American workers. While Derail uses vibrant and bold colors, the scene of The Turning Road is not shown in its realistic colors which again contrasts the Haystacks pragmatic and subdued colors. The intensity of the color usage in Drains work conveys a positive and cheery mood corresponding with Fauvism wild colors while in Bonbons work, the colors reflect a melancholy and somewhat gloomy tone which is consistent with Bonbons time period and style of the Great Depression. In Drains piece he uses thick and heavy brushstrokes (CM) shown through geometric lines by the vertical trees and the horizontal road, while in Bonbons piece, undulating and flowing organic lines are used which do not seem geometric at all. Another significant difference between the paintings is that much of the detail is omitted in The Turning Road and the figures are simplified into vivid Fauvism shapes (COM while in the Haystack, you can clearly see the detailing of the horse and the workers and even the shading on the hay and rocks. In The Turning Road, the colors seem to be applied directly room the paint tubes onto the canvas (CM), while in the Haystack; Benton blends and mixes his colors brilliantly for a more realistic image. These two paintings also differ in perspective since the artist of The Turning Road paints from more of an aerial view where as in the Haystack; the artist paints the scene looking straight on, as if you were looking out your window at the farmers. The focal point Of Bonbons piece is the workers on the farm and the house Off to the left- center of the image however, in Drains work, a focal point is more difficult to mind and you tend to look at the painting as a Whole instead Of just the center point since the workers are in the foreground instead of the middle ground, and it seems as though every corner Of this piece is active. In Bonbons Haystack the hills in the background seem distant where as in the piece by Derail, the ;hills dont look distant; they are simple and part of an overall pattern of color (CM), which is compatible again with the Fauvism style. .uef2c412620e2cae9a28ad4337f2a19a8 , .uef2c412620e2cae9a28ad4337f2a19a8 .postImageUrl , .uef2c412620e2cae9a28ad4337f2a19a8 .centered-text-area { min-height: 80px; position: relative; } .uef2c412620e2cae9a28ad4337f2a19a8 , .uef2c412620e2cae9a28ad4337f2a19a8:hover , .uef2c412620e2cae9a28ad4337f2a19a8:visited , .uef2c412620e2cae9a28ad4337f2a19a8:active { border:0!important; } .uef2c412620e2cae9a28ad4337f2a19a8 .clearfix:after { content: ""; display: table; clear: both; } .uef2c412620e2cae9a28ad4337f2a19a8 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uef2c412620e2cae9a28ad4337f2a19a8:active , .uef2c412620e2cae9a28ad4337f2a19a8:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uef2c412620e2cae9a28ad4337f2a19a8 .centered-text-area { width: 100%; position: relative ; } .uef2c412620e2cae9a28ad4337f2a19a8 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uef2c412620e2cae9a28ad4337f2a19a8 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uef2c412620e2cae9a28ad4337f2a19a8 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uef2c412620e2cae9a28ad4337f2a19a8:hover .ctaButton { background-color: #34495E!important; } .uef2c412620e2cae9a28ad4337f2a19a8 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uef2c412620e2cae9a28ad4337f2a19a8 .uef2c412620e2cae9a28ad4337f2a19a8-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uef2c412620e2cae9a28ad4337f2a19a8:after { content: ""; display: block; clear: both; } READ: Huckleberry Finn (709 words) EssayThe two influential artists, Thomas Benton and Andre Derail both represent their time periods through their art work, Andre Derail epitomizes the Fauvism went with his emotions through bright vivid colors and his abstract view of the landscaped scene of workers while Thomas Benton embodies the American Scene as a Regionalism and depicts his landscaped scene of workers in a more realistic and melancholy way. The Turning Road and the Haystack are both housed by the Museum of Fine Arts in Houston and after visiting this museum for the first time, I came to appreciate not only these pieces that analyzed, but also the vast array of art work displayed in the museum and also in to text book. Plan on visiting the museum again!